{"id":1618,"date":"2023-05-30T10:37:14","date_gmt":"2023-05-30T08:37:14","guid":{"rendered":"https:\/\/lemanspremus.fr\/?p=1618"},"modified":"2026-02-13T13:26:49","modified_gmt":"2026-02-13T13:26:49","slug":"programme-du-12-mai-2019-2","status":"publish","type":"post","link":"https:\/\/lemanspremus.fr\/index.php\/2023\/05\/30\/programme-du-12-mai-2019-2\/","title":{"rendered":"Prog. 12 mai 2019"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>\u00ab&nbsp;Classico Tango&nbsp;\u00bb<\/strong><br><strong>1\u00e8re Partie<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Quatuor&nbsp;\u00e0 cordes en <em>la<\/em> mineur<\/strong><strong>&nbsp;<\/strong>(<em>op<\/em>. 13)<\/td><td rowspan=\"5\"><strong>F\u00e9lix&nbsp;MENDELSSOHN<\/strong><strong><br><\/strong>(1809-1847)<strong><\/strong><\/td><\/tr><tr><td>1.&nbsp;Adagio, Allegro vivace<\/td><\/tr><tr><td>2.&nbsp;Adagio non tanto<\/td><\/tr><tr><td>3.&nbsp;Intermezzo<\/td><\/tr><tr><td>4.&nbsp;Presto, Adagio non lento<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>2\u00e8me Partie<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>Quatuor n\u00b0 3&nbsp;<em>Mishima<\/em>,<\/strong><strong> <\/strong>6<sup>\u00e8me<\/sup> mouvement<strong><\/strong><\/td><td><strong>Philip GLASS<\/strong> (n\u00e9 en 1937)&nbsp;<\/td><\/tr><tr><td><strong>Trois pi\u00e8ces <\/strong><strong><\/strong> <em>Celos <\/em><em><\/em> <em>Jeanne y Paul <\/em><em><\/em> <em>Ave Maria<\/em><strong><em><\/em><\/strong><\/td><td><strong>Astor PIAZZOLA<\/strong> (1921-1992)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>Le Quatuor ELSE<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"929\" height=\"1024\" src=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-929x1024.jpg\" alt=\"\" class=\"wp-image-16918\" srcset=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-929x1024.jpg 929w, https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-272x300.jpg 272w, https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-768x847.jpg 768w, https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-1393x1536.jpg 1393w, https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/1.-Quatuor-Else-BIEN-1857x2048.jpg 1857w\" sizes=\"(max-width: 929px) 100vw, 929px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center\">Pourquoi <strong>ELSE<\/strong>&nbsp;? <\/p>\n\n\n\n<p class=\"has-text-align-left\">                                          <strong>E<\/strong> : <strong>E<\/strong>liane Ilari <br>                                          <strong>L<\/strong> : <strong>L<\/strong>iv Soupizon <br>                                          <strong>S<\/strong> : <strong>S<\/strong>amuel Broudin <br>                                          <strong>E<\/strong> : <strong>E<\/strong>wen&nbsp;Wilczyk<\/p>\n\n\n\n<p>Depuis 2009, le Quatuor <strong>ELSE <\/strong>explore le r\u00e9pertoire classique (Haydn, Mozart, Beethoven, Schubert, Dvorak, Mendelssohn, Borodine\u2026), ainsi que le r\u00e9pertoire plus \u00ab&nbsp;l\u00e9ger&nbsp;\u00bb (chants populaires, r\u00e9pertoire de danses vari\u00e9es\u2026). Durant plusieurs ann\u00e9es, le groupe a travaill\u00e9 au Conservatoire du Mans en formation avec quelques changements de violoncellistes. Les musiciens proviennent d\u2019origines g\u00e9ographiques vari\u00e9es&nbsp;: conservatoires de Nantes, Rennes, Brest et Caen. Ils participent r\u00e9guli\u00e8rement \u00e0 des stages et \u00e0 des Masterclass notamment avec le quatuor Debussy dans le cadre du festival de l\u2019\u00c9pau au Mans, et \u00e0 Lyon.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Liv SOUPIZON, 1<sup>er<\/sup> violon<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/liv-soupizon.jpg\" alt=\"\" class=\"wp-image-16920\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>Samuel BROUDIN, 2<sup>\u00e8me<\/sup> violon<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/samuel.jpg\" alt=\"\" class=\"wp-image-16921\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>Ewen WILCZYK<\/strong>,<strong> alto<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/Ewen-WILCZYK.jpg\" alt=\"\" class=\"wp-image-16922\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u00c9liane ILARI, violoncelle<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"275\" height=\"183\" src=\"https:\/\/lemanspremus.fr\/wp-content\/uploads\/2023\/05\/Eliane-ILARI.jpg\" alt=\"\" class=\"wp-image-16923\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab&nbsp;Classico Tango&nbsp;\u00bb1\u00e8re Partie Quatuor&nbsp;\u00e0 cordes en la mineur&nbsp;(op. 13) F\u00e9lix&nbsp;MENDELSSOHN(1809-1847) 1.&nbsp;Adagio, Allegro vivace 2.&nbsp;Adagio non tanto 3.&nbsp;Intermezzo 4.&nbsp;Presto, Adagio non lento 2\u00e8me Partie Quatuor n\u00b0 3&nbsp;Mishima, 6\u00e8me mouvement Philip GLASS (n\u00e9 en 1937)&nbsp; Trois pi\u00e8ces Celos Jeanne y Paul Ave Maria Astor PIAZZOLA (1921-1992) Le Quatuor ELSE Pourquoi ELSE&nbsp;? E : Eliane Ilari L :&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/posts\/1618"}],"collection":[{"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1618"}],"version-history":[{"count":1,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/posts\/1618\/revisions"}],"predecessor-version":[{"id":16924,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/posts\/1618\/revisions\/16924"}],"wp:attachment":[{"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lemanspremus.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}